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TED-A|TED-A video game to cope with grief

Two month ago, my kid and Ihuddled arounda cell phone watching the livestreamof the GameAwards（奖品）, one of the video game industry's biggest nights.They announced thenominees（被提名者、候选人）for the Game forImpact（冲击力，巨大影响）, and award that's given to a thought-provoking video game with aprofound（巨大的）prosocialmessage or meaning.

They open the envelope and they read the title of our video game. And award...for impact. It was alomost funny, actually, beacuse I always thought that winning an award like that would have this huge impact on my life, but I found that the opposite is true. The big nights, theaccompishments（成就）, the fade, but the hardest nights of my life have stuck with me, impacting who I am and what I do.
In 2010, my third son, Joel, was diagnosed with a rare and aggressive brain tumor. And before that year was finished, doctors sat my husband and I down and let us know that his tumor had returned despite the most aggressivechemotherapy化疗andradiation（放射疗法）that they couldoffer him. On that terrible night, after learning that Joel had perhaps four months to live, Icuddled 搂抱up with my two older sons in bed-- they were five and three at the time--and I never really knew how much they understood, so I started telling them a bedtime story.
I told them about this very brave knight named Joel and his adventure fighting a terrible dragon called cancer. Every night, I told them more of the story, but I never let the story end. I was just building up acontext 上下文，语境、环境that they could understand and hoping that ourprayers祈祷、祝福、请求would be answered and I would never have to tell them that that knight who had fought so bravely was done fighting and could rest now, forever.
Fortunately, I never did have to finish that bedtime story. My childrenoutgrew长的比……快it. Joel responded better than anyone expected topalliative减轻的、缓和的、【医】姑息的treatment, and so instead of month, we spend years learning how to love our dying child with all of our hearts. Learning to recognize that shameful feeling of holding back just a little love to try to spare ourselves just a little pain somewhere further down the road.
We pushed past that self-preservation because Joel was worth loving even if that love could crush us. And that lesson ofintense十分强大的、严肃的、激烈的 vulnerability 脆弱性、弱点has changed me...
more than any award ever could. We started living like Joel could live, and began developing a video game called "That Dragon, Cancer." It was the story of Joel. It was the story of hope in the shadow of death. It was the story of faith and doubt, and the realization that awrestle 搏斗with doubt is a part of faith-- maybe the biggest part of it. It was a story that began as a miracle and ended as a memorial.
" Bouncing around, do you like that?"
" I love your giggle."
[A Journey of Hope In the Shadow of Death]
When you paly "That Dragon, Cancer," you're transformed into a witness of Joel's life, exploring an emotionallandscape景色, clicking to discover more of what we as a family felt and experienced. It feels like a little bit like analyzing interactive poetry because every gamemechanic机械师、技工is ametaphor隐喻、暗喻, and so the more the player asks themselves what we as designers were trying to express and why, the richer the experience becomes. We took that vulnerability that Joel taught us, and weencouded编码the game with it. Players expect their video games to offer them branching narrative so that every decision that they feels important and can change the outcome of the game.
Wesubverted推翻、搅乱that principle of game designcollapsing折叠the choices in on the player so that they discover for themselves that there is nothing that they can do that will change the outcome for Joel. And the feel that discovery as deeply and desperately as we felt it on nights when we held Joel in our arms praying for hours, stubbornly holding out hope for a grace that we could not create for ourselves. We'd all prefer to win, but when you discover that you can't win, what do you value instead?
I never planned to write video games, but these moments that really change our lives, they often come as the result of our hardship--and not ourglory荣誉. When we thought that Joel could live, I left the game designing to my husband. Ichimed 简单啰嗦的说in here and there with a scene or two and some suggestions. But after the night that Joel died, thepassion激情、盛怒, the possibility of sharing Joel's life through our video game-- it was something that I couldn't resist. I started writing more, I sat in on our team's design meetings, I added more ideas and I helped direct scenes. And I discovered that creating a video game is telling a story, but with an entirely new vocabulary. All the same elements of imagination and symbolism are there, but they're just partnered withplayer agencyand systemresponsiveness敏感性、灵敏度、易起反应. It's challenging work. I have to think in a totally new way to do it, but I love it. And I wouldn't have known that without Joel.
Maybe you're a little surprised by our choice to share our story of terminal cancer through a vedio game. Perhaps you're even thinking like so many people before you: cancer is not a game.
Well, tell that to anypediatric小儿科的cancer parent that's ever taken an exam glove andblown it up（blown up照片等)放大的；(因爆炸)损坏的；(气球等)膨胀的；吹牛的）into aballon穹形圆山, or transformed asyringe注射器into a rocket ship, or let their child ride theirIV pole 静脉注射吊瓶架through the hospitalhalls【大学】宿舍like it was a race car. Because when you have children, everything is a game. And when your young child experiences somethingtraumatic痛苦的, you work even harder to make sure that their life feels like a game beacuse children naturally explore their worlds through play.
while cancer can steal many things from a family, it shouldn't steal play. If you're listening to me and you're trying to imagine this family thatrevolves以……为中心/为主entirely around a dying child, and you can't imagine joy as part of that picture, then we were right to share our story with you, because that season of our life was hard. Unspeakably hard at times, but it was also pure hope, deep love and joy like I have never experienced since. Our video game was our attempt to share that world with people who hadn't experienced it before, because we never could imagine that world until it became ours. We made a video game that's hard to play. It will never be ablockbuster一鸣惊人的事物.
People have to prepare themselves to invest emotionally in a story that they know will break their hearts. But when our hearts break, theyheal 复原a little differently. My broken heart has been healing with a new and a deepercompassion同情、怜悯--a desire to sit with people in their pain to hear their stories and try to help tell them so that they know that they're seen. On the night when "That Dragon, Cancer" won the game for Impact Award, we cheered, we smiled and we talked about Joel and the impact he had on our life-- on all of those hard and hopeful nights that we shared with him when he changed our hearts and taught us so much more about life and love and faith and purpose.
【TED-A|TED-A video game to cope with grief】That award will never mean as much to me as even a single photograph of my son, but it does represent all of the people who his life has impacted, people I'll never meet. They write me emails sometimes. They tell me that they miss Joel, even though they never met him. They describe the tears that they've shed for my son, and it makes my burden of griefjust a little bit lighter, knowing that it's shared with a 10-year-old watching a YouTubeplaythrough, or a doctor playing on his airplane with a smartphone, or a professor introducing Joel to her first-year philosophy students. We made a video game that's hard to play. But that feels just right to me, because the hardest moments of our lives change us more than any goal we could ever accomplish. Tragedy has shifted my heart more than any dream I could ever see come true.

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